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In TAPE ME : REEL 2 Faceless picks up where he leaves off, making the lying and cheating Trevor pay for his lack of action. After cataloging his victory, Faceless moves onto another victim in Nikita, a sassy, spunky Manhattan socialite and movie reviewer for one of the world's hottest entertainment magazine. Coming from a successful and high profile family, Nikita is city woman with everything going for her. She is extremely popular, social and friendly with those in her own social class. However, she is disgustingly rude and disrespectful to those who she feels are 'beneath' her and her world. Faceless doesn't appreciate this lack of compassion in an otherwise very sociable woman. Faceless vows to make Nikita pay....

With groundbreaking honesty, performance artist Li Ning turns his life into art in this epic work of experimental documentary. For five grueling years, Li Ning documents his struggle to achieve success as an avant-garde artist while contending with the pressures of modern life in China. He is caught between two families: his wife, son and mother, whom he can barely support; and his enthusiastic but disorganized guerilla dance troupe. Li's chaotic life becomes inseparable from the act of taping it, as if his experiences can only make sense on screen. Tape shatters documentary conventions, utilizing a variety of approaches, including guerilla documentary, experimental street video, even CGI. Much like Jia Zhangke's Platform, Tape captures a decade's worth of artistic aspirations and failures, while breaking new ground in individual expression in China.

A Jerusalem couple set off on a journey. Against a backdrop of beauty, belief and great violence, they begin a film of their lives.

When a murder is witnessed by millions around the world, society is forced to confront the moral issues raised by the creation of the first post-human.

Derek Jarman is surely the artist-filmmaker who was the closest to the subterranean cultural movement that David Keenan has coined “England’s Hidden Reverse", involving avant-garde, industrial, and experimental music scenes that emerged from the 1970s onwards. In 1980 Jarman invited Throbbing Gristle to provide a soundtrack for In the Shadow of The Sun. The collaboration started long-lasting relationships with members of TG, Psychic TV and Coil. In 1982, Jarman filmed William S. Burroughs during his first visit to London, where he made a cameo appearance for Jürgen Muschalek’s film Decoder (featuring Genesis P-Orridge) and attended the legendary Final Academy events, curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The soundtrack by Psychic TV is a magical-industrial dreamscape of broken transmissions, arcane whispers, and psychic residue, featuring a sample of Burroughs repeating “boys, school showers and swimming pools full of 'em'”. Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together”, Jarman wrote), with Jarman directing the music video for Catalan and starring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth. (Stoffel Debuysere)

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A man digs through his attic looking for something clearly of great significance. What it is, we're not quite sure. When he finds a VHS tape and realizes he nor anyone he knows owns a VCR anymore, he goes on a quest to find it.

The story of little Kenan, who takes the batteries of his father's azan-playing alarm clock to listen to the tape in the tape-player he found in the woodshed of their house.